Konmundun Network

Overview

Best Buy Mojo High quality
Some time in the last few years Tom Petty And The Heartbreakers took a left turn. Maybe it was when Petty woke up in the night with the idea of reuniting his first band, Mudcrutch, to cut the album they never got a chance to make back in the early 70’s. Maybe it was when the Heartbreakers assembled the mammoth multi-disc ‘The Live Anthology,’ which detailed thirty years of concerts. Maybe it was when they gave all their home movies, outtakes and live footage to director Peter Bogdanovich to create the Grammy-winning four-hour career documentary ‘Runnin Down A Dream.’ There have been side projects and experiments since the band last went into the studio to cut a new Tom Petty And The Heartbreakers album.
With ‘MOJO,’ they have taken their recent freedom and experimentation to heart. They have gone off the reservation and all signs indicate they aren’t coming back.

The first thing that hits you about ‘MOJO’ is that the spirit of the Mudcrutch sessions has carried on with the Heartbreakers. This is the sound of a band playing together in a room not a studio – facing each other, all singing and playing at the same time. The music is alive, with no overdubs or studio trickery. What you hear is what they created on the spot at that time.

Tom Petty says, ‘With this album, I want to show other people what I hear with the band. ‘MOJO’ is where the band lives when it’s playing for itself.’

As for the songs, ‘MOJO’ showcases a wide variety of American music from rock ‘n’ roll to country and both electric and acoustic blues. And then there are the images in Petty’s lyrics which slip in on the melodies and set up a home in your head: The barefoot girl in the high grass chewing on a stick of sugar cane, the run-in with the law that begins when a carload of buddies decide to party with the motel maids, and the hilariously audacious idea of opening an album with an electric blues rocker about Thomas Jefferson’s love affair with Sally Hemings. Petty would probably chuck a rock at anyone who called him a poet, but he sure is a southern writer of humor and sensitivity.

‘MOJO’ has juice and guts but it also has some sweet balladry for the slow dancers and even a wacked-out reggae number that is unlike anything that the Heartbreakers have done before. It’s the kind of album nobody’s supposed to be able to make anymore. It got here just in time.

Mojo

Comment with Mojo
Tom Petty is working in a style vastly different from when he was a radio star. I think the reasons for this are multi-layered. First, I don’t think the Tom Petty and the Heartbreakers of albums like Damn the Torpedoes and Hard Promises was the real Petty. I believe those were products of very smart producers who realized that radio anthems made stars. And they were right. The genre that Petty is working now is, I believe, where he has really been throughout his career. I’ve searched through many of the other reviews here, looking for the connection that I believe is driving the sound on this record, and haven’t seen it. I believe the connection to be with Dylan, and his recent work, which is in the folk/blues tradition. If you have listened to recent Dylan, the echoes in Mojo are all over the place. The songs are blues driven, that is correct, but they are in a style first exploited to great effect by Dylan, at least for this listener. I am sure there are other artists working this field, which I consider to be classic American music (John Hiatt might be one, but I’m not quite positive), but this album is clearly influenced by what Dylan is doing. The interesting thing is that the Heartbreakers are a better band than the band assembled by Dylan.

The problem for fans, and I understand their pain, is that there are no anthemic, shout along choruses to these songs. In fact, there are hardly any choruses at all. This is a vernacular that allows Petty to work with words and the band to work with sounds that are so distant from Refugee that in many ways it is hard to believe it to be the same band. But for those who appreciate the genre that Petty is working here, American traditional folk blues, this album is a must have. For those looking for the fist pumping shout out choruses of The Waiting, this is not going to do the trick. And to be honest, I don’t think that particular Tom Petty will be coming back any time soon. So, five stars, but not for everyone.